| Bibliography Adorno, T.W. 1941. On Popular Music. URL: http://www2.rz.hu-berlin.de/fpm/texte/adorno.html [27.01.02] Adorno, T.W. 1968. Einleitung in die Musiksoziologie. Hamburg: Reinbek Adorno, T.W. 1973. Über den Fetischcharakter in der Musik und die Regression des Hörens. In: Adorno, T.W. 1973. Gesammelte Schriften, Bd. 14: Dissonanzen - Einleitung in die Musiksoziologie. Frankfurt/M:: Suhrkamp Agger, B. 1992. Cultural Studies as Critical Theory. London: The Falmer Press Alasuutari, P. 1995. Researching Culture: Qualitative Method and Cultural Studies. London: Sage Andreasich, F. 2001. On the Subject of High Fidelity. In: BUZZonline,
publ. 27.09.01; Anderson, B. 1983. Imagined Communities. London: Verso Ang, I. 1999. Radikaler Kontextualismus und Ethnographie in der Rezeptionsforschung. In: Hepp, A. & Winter, N. (eds.) 1999. Kultur - Medien - Macht: Cultural Studies und Medienanalyse. Opladen: Westdeutscher Verlag Appadurai, A. 1986. Commodities and the Politics of Value. In: Appadurai, A. (ed.). 1986. The Social Life of Things. Cambridge: Cambridge UP Appadurai, A. 2000. Modernity At Large. Minneapolis: Univ. of
Minnesota Press Arnold, D.O. 1970. Subcultures. Berkeley: Glendessary Press Attfield, J. 2000. Wild Things - The Material Culture of Everyday Life. Oxford: Berg Baacke, D. 1987. Jugend und Jugendkulturen. Weinheim: Juventa Barabási, L. 2002. Linked - The New Science of Networks. Cambridge: Perseus Barthes, R. 1982 (1957). Mythen des Alltags. Frankfurt/M.: Suhrkamp Baudrillard, J 1998. The Consumer Society. London: Sage Baudrillard, J. 1991. Das System der Dinge. Frankfurt/M.: Campus Bauman, Z. 1999. Culture as Praxis. London: Sage Bauman, Z. 1998. Globalization. London: Polity Press Bauman, Z. 2001a. Community: Seeking Safety in an Insecure World. Cambridge: Polity Press Bauman, Z. 2001b. The Individualized Society. Cambridge: Polity Press Beck, U. 1986. Risikogesellschaft - Auf dem Weg in eine andere Moderne. Frankfurt/M.: Suhrkamp Beck, U., Giddens, A., Lash, S. 1994. Reflexive Modernization. Stanford: Stanford UP Becker, H.S. 1973. Outsiders: Studies in the Sociology of Deviance. New York: Free Press Beer, B. (ed.) 2003. Methoden und Techniken der Feldforschung.
Berlin: Reimer Behrens, R. 2003. Die Diktatur der Angepaßten - Texte zur kritischen
Theorie der Popkultur. Bielefeld: transcript Benjamin, W. 1968[1936]. The Work of Art in the Age of Mechanical Reproduction. In: Arendt, H. (ed.) 1968. Illuminations. New York: Harcourt Bennett, A. 2001. Cultures of Popular Music. Buckingham: Open UP Bennett, T., Emmison, M., Frow, J. 1999. Accounting for Tastes: Australian Everyday Cultures. Cambridge: Cambridge UP Benson, P. (ed.) 1993. Anthropology and Literature. Urbana: University of Illinois Press Bernart, Y. & Krapp, S. 1998. Das narrative Interview. Landau:
VEP Bogner, A., Littig, B., Menz, W. (eds.) 2002. Das Experteninterview: Theorie, Methode, Anwendung. Opladen: Leske + Budrich Bohnsack, R. et al. (eds.) 2001. Die dokumentarische Methode und ihre Forschungspraxis. Opladen: Leske + Budrich Bolz, N. & vanReijen, W. 1991. Walter Benjamin. Frankfurt/M.: Campus Boon, J.A. 1999. Verging On Extra-Vagance: Anthropology, History, Religion, Literature, Arts... Showbiz. Princeton: Princeton UP Borek, J, Krondorfer, B., Mende, J. (eds.) 1993. Kulturen des Widerstands: Texte zu Antonio Gramsci. Wien: Verlag für Gesellschaftskritik Bourdieu, P. 1976. Entwurf einer Theorie der Praxis. Frankfurt/M.: Suhrkamp Bourdieu, P. 1984. Distinction - A Social Critique of the Judgement of Taste. Cambridge: Harvard UP Bourdieu, P. 1987. Sozialer Sinn: Kritik der theoretischen Vernunft. Frankfurt/M.: Suhrkamp Bourdieu, P. 1993. Soziologische Fragen. Frankfurt/Main: Suhrkamp Bourdieu, P. et al. 1981. Eine illegitime Kunst - Die sozialen Gebrauchsweisen der Photographie. Frankfurt/M.: Suhrkamp Brake, M. 1985. Comparative Youth Culture. London: Routledge & Kegan Paul Ltd. Brewster, B & Broughton, F. 1999. Last Night a DJ Saved my Life - The History of the Disc Jockey. London: Headline Bromley, R., Göttlich, U., Winter, C. (eds.) 1999. Cultural Studies. Lüneburg: zu Klampen Bruner, E.M. 1993. The Ethnographic Self and the Personal Self. In: Benson, P. (ed.) 1993. Anthropology and Literature. Urbana: University of Illinois Press Bryman, A. 2001. Social Research Methods. Oxford: Oxford UP Bulkley, K. 2003. Superhighway Robbery. In: The Observer, 13. July 2003 Büchele, C. 1999. Geschichte der Tonträger. Tutzing: Hans Schneider Büsser, M. 1998. Antipop. Mainz: (Dreieck)-Verlag Butler, J., Laclau, E., Zizek, S. 2000. Contingency, Hegemony, Universality:
Contemporary Dialogues on the Left. London: Verso Chomsky, N. 1991. Deterring Democracy. London: Verso Chomsky, N. 1999. Profit Over People. Hamburg: Europa Clifford, J. & Marcus, G. (eds.) 1986. Writing Culture: The Poetics
and Politics of Ethnography. Berkeley: University of California Press
Cohen, S. 1980. Folk Devils and Moral Panics. Oxford: Martin Robertson Collins, J. (ed.) 2002. High-Pop - Making Culture into Popular Entertainment. London: Blackwell Connell, J. & Gibson, C. 2003. Sound Tracks - Popular Music, Identity
and Place. London: Routledge Dant, T. 1999. Material Culture in the Social World. Buckingham: Open UP Day, T. 2000. A Century of Recorded Music: Listening to Musical History. New Haven: Yale UP DeCerteau, M. 1984. The Practice of Everyday Life. Berkeley: University
of Dewalt, K.M., Dewalt, B.R., Weiland, C.B. 1998. Participant Observation. In: Bernard, H.R. (ed.) 1998. Handbook of Methods in Cultural Anthropology. Walnut Creek: Altamira Press Dimitrov, V. & Hodge, B. 2002. Social Fuzzology - Study of Fuzziness
of Social Complexity. Heidelberg: Physica Dolfsma, W. 2002. How Will the Music Industry Weather the Globalization
Storm? In: First Monday - Peer-reviewed Journal On The Internet;
Douglas, M. & Isherwood, B. 1996 (1979). The World of Goods: Towards an Anthropology of Consumption. London: Blackwell Dracklé, D. 1996a. Kulturelle Repräsentation von Jugend in der Ethnologie. In: Dracklé, D. (ed.) 1996. Jung und Wild: Zur kulturellen Konstruktion von Kindheit und Jugend. Berlin: Reimer Dracklé, D. 1996b. Neue Feldforschungen in Europa: Grenzen, Konflikte,
Identitäten. In: Kokot, W. & Dracklé, D. 1996. Ethnologie
Europas. Berlin: Reimer Ebrecht, J. & Hillebrandt, F. (eds.). 2002. Bourdieus Theorie der Praxis. Wiesbaden: Westdeutscher Verlag Eisenberg, E. 1987. The Recording Angel. New York: McGraw-Hill Ellis, C. & Bochner, A.P. (eds.). 1996. Composing Ethnography - Alternative Forms of Qualitative Writing. Walnut Creek: Altamira Press Epstein, J.S. 1998. Generation X, Youth Culture, and Identity. In: Epstein, J.S. (ed.). 1998. Youth Culture: Identity in a Postmodern World. Malden: Blackwell Featherstone, M. 1991. Consumer Culture & Postmodernism. London: Sage Featherstone, M. 1992. Cultural Production, Consumption, and the Development of the Cultural Sphere. In: Münch, R. & Smelser, N.J. (eds.). 1992. Theory of Culture. Berkeley: University of California Press Ferchhoff, W., Sander, U., Vollbrecht, R. (eds.). 1995. Jugendkulturen:
Faszination und Ambivalenz - Einblicke in jugendliche Lebenswelten.
Weinheim: Juventa Flick, U. 2002. Qualitative Sozialforschung: Eine Einführung. Hamburg: Rowohlts Enzyklopädie Flyvbjerg, B. 2001. Making Social Science Matter. Cambridge: CUP Foucault, M. 1999. In Verteidigung der Gesellschaft: Vorlesungen am Collège de France 1975-76. Frankfurt/Main: Suhrkamp Foucault, M.1978. The History of Sexuality - An Introduction. New York: Vintage Books Fowler, B. 1997. Pierre Bourdieu and Cultural Theory. London: Sage Fowler, F.J.Jr. 1995. Improving Survey Questions: Design and Evaluation.
In: Applied Social Research Methods Series, Vol. 38. London: Sage Frith, S. 1987. Towards an Aesthetic of Popular Music. In: Leppert, R. & McClary, S. (eds.). 1986. Music and Society: The Politics of composition, performance and reception. Cambridge: Cambridge UP Frith, S. & Goodwin, A. (eds.). 1990. On Record: Rock, Pop and the Written Word. London: Routledge Frith, S. 1996. Performing Rites: On the Value of Popular Music. Cambridge: Harvard UP Frith, S. 1999. Musik und Identität. In: Engelmann, J. (ed.). 1999. Die kleinen Unterschiede: Der Cultural Studies Reader. Frankfurt/M.: Campus (S 20.1/323) Garrity, B. 2003. Brands to Use ‚Free' Music to Lure Teens. Reuters,
Gaut, B. & McIver Lopes, D. (eds.) 2001. The Routledge Companion to Aesthetics. London: Routledge Geertz, C. 1973. Thick Description: Toward an Interpretive Theory of Culture. In: Geertz, C. 1973. The Interpretation of Cultures. London: Fortuna Press Gelder, K. & Thornton, S. (eds.). 1997. The Subcultures Reader. London: Routledge Gilroy, P. 1987. Diaspora, Utopia and the Critique of Capitalism. In:
Gelder, K. & Gilroy, P. 1999. Der Status der Differenz. In: Engelmann, J. (ed.). 1999. Die kleinen Unterschiede: Der Cultural Studies Reader. Frankfurt/M.: Campus Goldmann, F & Hiltscher, K. 1981. The Gimmix Book of Records. Zürich: Edition Olms Goodall, P. 1995. High Culture, Popular Culture. St. Leonards: Allen & Unwin Goodwin, A. 1994. Popular Music and Postmodern Theory. In: Storey, J. (ed.). 1994. Cultural Theory and Popular Culture. New York: Harvester Wheatsheaf Göttlich, U., Mikos, L., Winter, R. (eds.). 2001. Die Werkzeugkiste der Cultural Studies. Bielefeld: Transcript Graves-Brown, P.M. (ed.). 2000. Matter, Materiality and Modern Culture. London: Routledge Gregson, N. & Crewe, L. 2003. Second-hand Cultures. Oxford: Berg Griese, H. 2000. Jugend(sub)kultur(en) - Facetten, Probleme und Diskurse. In: Roth, R. & Rucht, D. 2000. Jugendkulturen, Politik und Protest. Opladen: Leske + Budrich Groendahl, B. 2003. Sony, Bertelsmann Sign Music Merger Deal. Reuters;
Gupta, A. & Ferguson, 1997. Discipline & Practice: "The Field" as Site, Method and Location in Anthropology. In: Gupta, A. & Ferguson, 1997. Anthropological Locations. Berkeley: University of California Press. Hall, S. 1994. Rassismus und kulturelle Identität (Ausgewählte Schriften 2). Hamburg: Junius Hall, S. 2000. Cultural Studies - Ein politisches Theorieprojekt (Ausgewählte Schriften 3). Hamburg: Argument Verlag Hall, S. & Jefferson, T. (eds.). 1976. Resistance through Rituals - Youth Subcultures in post-war Britain. London: Unwin Hyman Ltd. Hall, S., Hobson, D., Lowe, A., Willis, P. (eds.). 1987 (repr.). Culture, Media, Language. London: Century Hutchinson Ltd. Hardt, M. & Negri, A. 2001. Empire. Cambridge: Harvard UP Harvey, D. 1990. The Condition of Postmodernity. Oxford: Blackwell Haug, S. & Weber, K. 2002. Kaufen, Tauschen, Teilen - Musik im Internet. Frankfurt/M.: Lang Hebdige, D. 1979. Subculture and Style. London: Sage Helmore, E. 2003. Sound of the Underground. In: The Guardian, 2. Jul 2003 Hennion, A. 2001. Music Lovers: Taste as Performance. In: Theory, Culture & Society, 2001, Vol. 18/5, pp. 1-22 Hepp, A. 1999. Cultural Studies und Medienanalyse. Opladen: Westdeutscher Verlag Herzfeld, M. 1997. The Taming of Revolution: Intense Paradoxes of the Self. In: Reed-Danahay, D.E. (ed.). 1997. Auto/Ethnography. Oxford: Berg Herzfeld, M. 2001. Anthropology: Theoretical Practice in Culture and Society. Malden: Blackwell Hilton, M & Daunton, M. 2001. Material Politics: An Introduction. In: Hilton, M & Daunton, M. (eds.) 2001. The Politics of Consumption. Oxford: Berg Hitzler, R. & Pfadenhauer, M. (eds.). 2001. Techno-Soziologie: Erkundungen einer Jugendkultur. Opladen: Leske + Budrich Hitzler, R.; Bucher, T. & Niederbacher, A. 2001. Leben in Szenen: Formen jugendlicher Vergemeinschaftung heute. Opladen: Leske + Budrich Hodkinson, P. 2002. Goth - Identity, Style and Subculture. Oxford: Berg Holert, T. & Terkessidis, M. (eds.) 1997. Mainstream der Minderheiten: Pop in der Kontrollgesellschaft. Berlin: Edition ID-Archiv Holstein, J. & Gubrium, J. 1997. Active Interviewing. In: Silverman, D. (ed.) 1997. Qualitative Research: Theory, Method and Practice. London: Sage Holzer, B. & Sorensen, M.P. 2003. Rethinking Subpolitics. In: Theory, Culture & Society Vol. 20(2): 79-102 Horkheimer, M & Adorno, T.W. 1944. Dialektik der Aufklärung (darin: Kulturindustrie - Aufklärung als Massenbetrug). In: Schmid-Noerr, G (ed.) 1987. Max Horkheimer - Gesammelte Schriften, Bd. 5. Frankfurt: Fischer Hornby, N. 1995. High Fidelity. London: Indigo Hurrelmann, K. et al. 2002. Jugend 2002: 14. Shell Jugendstudie. Frankfurt/M.: Fischer Inhetveen, K. 1997. Musiksoziologie in der BRD. Opladen: Westdeutscher Verlag Jackson, P., Lowe, M., Miller, D., Mort, F. (eds.). 2000. Commercial Cultures: Economies, Practices, Spaces. Oxford: Berg Jameson, F. 1984. Postmodernism, or The Cultural Logic of Late Capitalism. In: New Left Review, No. 146:53-93 Jenrich, H. (ed.) 2000. Meine erste Platte - Liebeserklärungen. Frankfurt/M.: Fischer Jochheim, S. 2002. Von der Unternehmenskultur zum Netzwerk von Subkulturen. Marburg: Metropolis Jones, S. 1992. Music, Technology and Mass Communication. In: Jones,
S. 1992. Rock Formation. London: Sage; Jutila, J. 1995. Ever Got the Feeling You've Been Cheated? Inlay text in Hellacopters. Supershitty To The Max. White Jazz 1996 (cf. App. 4(6)) Kasaras, K. 2001. Music in the Age of Free Distribution: MP3 and Society.
In: First Monday - Peer-reviewed Journal On The Internet; Katz, J.E. & Aakhus, M. (eds.). 2002. Perpetual Contact: Mobile Communications, Private Talk, Public Performance. Cambridge: Cambridge UP Keil, C. & Feld, S. 1994. Music Grooves. Chicago: University of Chicago Press Kellner, D. 1995. Media Culture. London: Routledge Kellner, D. 2002. Theorizing Globalisation. In: Sociological Theory, Vol. 20, Nr. 3, Nov 2002 Kraidy, M.M.2002. The Global, the Local, and the Hybrid: A Native Ethnography of Glocalization. In: Taylor, S. (ed.) 2002. Ethnographic Research. London: Sage Kreye, A. 2003. Die Jingle-Charts. In: Süddeutsche Zeitung; Nr. 203, 4.Sep 2003, p.11 Kurp, M, Hauschild, C., Wiese, C. 2002. Musikfernsehen in Deutschland. Wiesbaden: Westdeutscher Verlag Laing, D. 1990. Making Popular Music: The Consumer as Producer. In: Tomlinson, A. (ed.). 1990. Consumption, Identity and Style. London: Routledge. Lange, E. 1997. Jugendkonsum im Wandel. Opladen: Leske + Budrich Lash, S. & Urry, J. 1987. The End of Organised Capitalism. Oxford: Polity Lawson, A. 2003 EMI feels the squeeze over CD price cuts. In: MediaGuradian.co.uk;
Lee, N. & Munro, R. (eds.). 2001. The Consumption of Mass. Oxford: Blackwell Lembke, P. 2000. Kontroll-Maniacs. In: Spex, 02/2000 Leppert, R. & McClary, S. (eds.). 1987. Music and Society - The politics of composition, performance and reception. Cambridge: Cambridge UP Loader, B.D. (ed.). 1997. The Governance of Cyberspace: Politics, Technology and Global Restructuring. London: Routledge Longhurst, B. 1995. Popular Music and Society. Cambridge: Polity Press Longhurst, B. & Savage, M. 1996. Social class, consumption and the influence of Bourdieu: some critical issues. In: Edgell, S. et al. (eds.) 1996. Consumption Matters. Oxford: Blackwell Lovatt, A. & Purkis, J. 1995. Shouting in the Street - Popular
culture, values and the new ethnography. Manchester: MIPC Lovell, T. 2003. Resisting with Authority: Historical Specificity, Agency and the Performative Self. In: Theory, Culture & Society, Vol. 20(1): 1-17 Luger, K. 1991. Die konsumierte Rebellion. Wien: Österreichischer Kunst- und Kulturverlag Lury, C. 2002. Style and the Perfection of Things. In: Collins, J. (ed.). 2002. High Pop: Making Culture into Popular Entertainment. London: Blackwell Marcus, G.E. & Cushman, D. 1982. Ethnographies as Texts. In: Annual Review of Anthropology; 11:25-69 Marcus, G.E. & Fischer, M.M.J. 1986. Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences. Chicago: University of Chicago Press Marcus, G.E. 1986. Contemporary Problems of Ethnography in the Modern World System. Clifford, J. & Marcus, G.E. (eds.). 1986. Writing Culture: The Politics and Poetics of Ethnography. Berkeley: University of California Press. Marcus, G.E. (ed.). 1996. Connected: Engagements with Media. Chicago: University of Chicago Press Marcus, G.E. 1999. Introduction. In: Marcus, G.E. (ed.). 1999. Critical Anthropology Now. Santa Fe: School of American Research Press Martin, P.J. 1995. Sounds & Society - Themes in the Sociology of music. Manchester: Manchester UP Mauss, M. 1974. The Gift. London: Routledge & Paul Mayring, P. 2002. Einführung in die Qualitative Sozialforschung. Weinheim: Beltz McDonald, K. 1999. Struggles for Subjectivity - Identity, Action and Youth Experience. Cambridge: Cambridge UP McRobbie, A. & Nava, M. (eds.). 1984. Gender and Generation. Houndmills: Macmillan McRobbie, A. 1999. Bridging the Gap: Feminismus, Mode und Konsum. In: Engelmann, J. (ed.). 1999. Die kleinen Unterschiede: Der Cultural Studies Reader. Frankfurt/M.: Campus Mead, M. 1970. Der Konflikt der Generationen. Olten: Walter Verlag Mead, M. 1978 [1928]. Coming of Age in Samoa. London: Penguin Media Perspektiven 2003. Basisdaten zur Mediensituation in Deutschland. Frankfurt/M.: ARD-Arbeitsgemeinschaft Menrath, S. 2001. Represent What... Performativität von Identitäten im HipHop. Hamburg: Argument Merkens, H. & Zinnecker, J. (eds.). 2001. Jahrbuch Jugendforschung 1/2001. Opladen: Leske + Budrich Merriam, A.P. 1964. The Anthropology of Music. New York: McGraw-Hill Merrill, J., Lee, J., Friedlander, E.J. 1990. Modern Mass Media. New York: Harper & Row Meyer, E. 2000. Die Techno-Szene. Opladen: Leske + Budrich Meyer, T. 2001. Mediokratie - Die Kolonisierung der Politik durch die Medien. Frankfurt/M.: Suhrkamp Miller, D. 1987. Material Culture and Mass Consumption. Oxford: Basil Blackwell Ltd. Miller, D. 1995. Consumption Studies as the Transformation of Anthropology. In: Miller, D. (ed.) 1995. Acknowledging Consumption. London: Routledge Miller, D. & Slater, D. 2000. The Internet: An Ethnographic Approach. Oxford: Berg Miller, J. & Glassner, B. 1997. The ‚Inside' and the ‚Outside' : Finding Realities in Interviews. In: Silverman, D. (ed.) 1997. Qualitative Research: Theory, Method and Practice. London: Sage Mörth, I. & Fröhlich, G. (eds.). 1994. Das symbolische Kapital der Lebensstile. Frankfurt/M.: Campus Morley, D. 1995. Theories of Consumption in Media Studies. In: Miller, D. (ed.) 1995. Acknowledging Consumption. London: Routledge Morgan, S. (not dated). Collective Memory Through Audio Technology: The
Politics and Nostalgia of Lo-Fi. In: Critical Mass, Issue 2; Mowitt, J. 1987. The sound of music in the era of its electronic reproducibility. In: Leppert, R. & McClary, S. (eds.) 1987. Music and Society - The politics of composition, performance and reception. Cambridge: Cambridge UP Müller-Bachmann, E. 2002. Jugendkulturen Revisited. Münster: LIT Muggleton, D. 2000. Inside Subculture: The Postmodern Meaning of Style. Oxford: Berg Myers, F.R. 2001. The Empire of Things. In: Myers, F.R. (ed.). 2001. The Empire of Things - Regimes of Value and Material Culture. Santa Fe: School of American Research Press Nagl, L. 1998. Pragmatismus. Frankfurt/M.: Campus Neumann-Braun, K. et al. (eds.). 2003. Popvisionen - Links in die Zukunft. Frankfurt/M.: Suhrkamp Newton, G. (not dated). Pressing Matters - The Production of Phonograph
Records. In: Record Collector's Guild; Niekisch, S. 2002. Kolonisation und Konsum: Kulturkonzepte in Ethnologie und Cultural Studies. Bielefeld: Transcript Nugent, S. & Shore, C. 1997. Anthropology and Cultural Studies. London: Pluto Press Ortner, S.B. 1984. Theory in Anthropology since the Sixties. In: Comparative Studies in Society and History 26: S.126-166. Ortner, S. 1999. Generation X - Anthropology in a Media-Saturated World. In: In: Marcus, G.E. (ed.). 1999. Critical Anthropology Now. Santa Fe: School of American Research Press Pattie, D. 1999. 4 Real: Authenticity, Performance and Rock Music. In: Enculturation, Vol. 2/2, Spring 1999. PBS online. 2001. Frontline - The Merchants of Cool; web-published
report: Pinto, L. 2000. A Militant Sociology: The Political Commitment of P. Bourdieu. In: Fowler, B. (ed.). 2000. Reading Bourdieu on Society and Culture. Oxford: Blackwell Podszun, R. 2000. Die verkalkte Republik - oder das Märchen vom Jugendkult. Köln: Kiepenheuer & Witsch Polsky, N. 1969. Hustlers, Beats, and Others. Garden City, NY: Doubleday & Company Poor, A. 2001. Optical Disc Technology. In: Extreme Tech; Prokop, D. 2000. Der Medienkapitalismus - Das Lexikon der neuen kritischen Medienforschung. Hamburg: VSA-Verlag Prokop, D. 2001. Der Kampf um die Medien. Hamburg: VSA-Verlag Rabinow, P. 1986. Representations Are Social Facts: Modernity and Post-modernity in Anthropology . In: Clifford, J. & Marcus, G.E. (eds.). 1986. Writing Culture: The Politics and Poetics of Ethnography. Berkeley: University of California Press. Ransome, P. 1992. Antonio Gramsci: A New Introduction. New York: Harvester Wheatsheaf Redhead, S. (ed.). 1993. Rave Off: Politics and Deviance in Contemporary Youth Culture. Aldershot: Avebury Reising, R. 2002. Every Sound There Is' - The Beatles' Revolver and the Transformation of Rock and Roll. Aldershot: Ashgate Ritzer, G. 1998. The McDonaldization Thesis. London: Sage Ritzer, G. 2001. Explorations in the Sociology of Consumption. London: Sage Rojek, C. 1995. Decentring Leisure: Rethinking Leisure Theory. London: Sage Rojek, C. 2000. Leisure and Culture. London: Macmillan Rosen, M. 2000. Turning Words, Spinning Worlds: Chapters in Organizational Ethnography. Harwood Academic Publishers Roth, R. & Rucht, D. (eds.). 2000. Jugendkulturen, Politik und Protest: Vom Widerstand zum Kommerz? Opladen: Leske + Budrich Sackmann, E. 1992. Undercover - Comiczeichner gestalten Schallplattenhüllen. Hamburg: Sackmann und Hörndl Schäfers, B. 2001. Jugendsoziologie. Opladen: Leske + Budrich Schalt, J. 1999. The Touch 7": The Tentacles. In: Bad Subjects,
Bad Reviews, 05.08.02; Schlaeger, J. 1999. The Politics of Taste. In: Schlaeger, J. & Stedman, G. 1999. Representations and Emotions. Tübingen: Gunter Narr Verlag Schmidt, T. 1999. Und Sie Dreht Sich Doch. In: Spex 04/1999 Schneidewend, P., Tröndle, P. (eds.) 2003. Selbstmanagement im Musikbetrieb - Handbuch für Musikschaffende. Bielefeld: transcript Schnierer, T. 1995. Modewandel und Gesellschaft - Die Dynamik von "In" und "Out". Opladen: Leske + Budrich Schöler, F. 1981a. High Fidelity Technik für Einsteiger. Reinbek: Rohwohlt Schöler, F. 1981b. High Fidelity Technik für Aufsteiger. Reinbek: Rohwohlt Schor, J. (not dated). The New Politics of Consumption; In: Boston
Review; Speedfacts Online Research GmbH. 2001. Internet. Trend. Index. - Musikkultur / -markt im Internet. URL: http://www.speedfacts.com/show_news.php3?news_id=67&from_list=quick [08.01.04] Schwingel, M. 1995. Pierre Bourdieu zur Einführung. Hamburg: Junius Silverman, D. (ed.). 1997. Qualitative Research: Theory, Method and Practice. London: Sage Skelton, T. & Valentine, G. (eds.). 1998. Cool Places: Geographies of Youth Cultures. London: Routledge Slater, D. 1998 (repr). Consumer Culture & Modernity. Oxford: Blackwell Smith, D. 1988. The Chicago School - A Liberal Critique of Capitalism. Houndmills: Macmillan Sokal, A. & Bricmont, J. 1999. Eleganter Unsinn. München: C. H. Beck Stauffer, J. 1999. Fissure Price? Do Not Detach, on Living the Double
Life of Academic and Freedman. In: Bad Subjects, Issue # 43, April
1999; Stearns, P.N. 2001. Consumerism in World History: The Global Transformation of Desire. London: Routledge Steinert, H. 1998. Kulturindustrie. Münster: Westfälisches Dampfboot Steinert, H. 2003. Die Entdeckung der Kulturindustrie. Münster: Westfälisches Dampfboot Stephen, J. 1998. Anti-disciplinary Protest: Sixties, Radicalism and Postmodernism. Cambridge: Cambridge UP Storey, J. 1996. Cultural Studies & the Study of Popular Culture. Edinburgh: Edinburgh UP Street, J. 1986. Rebel Rock: The Politics of Popular Music. Oxford: Basil Blackwell Ltd. Street, J. 1997. Politics & Popular Culture. Cambridge: Polity Press Strinati, D. 1995. An Introduction to Theories of Popular Culture. London: Routledge Taylor, T.D. 1997. Global Pop - World Music, World Markets. New York: Routledge Thornton, S. 1995a. Club Cultures - Music, Media and Subcultural Capital. London: Polity Press Thornton, S. 1995b. The Social Logic of Subcultural Capital. In: Gelder, K. & Thornton, S. (eds.) 1997. The Subcultures Reader. London: Routledge True, E. 1999. Confessions of a Cultural Industrialist. In: Bad Subjects, Issue #46, December 1999; URL: http://eserver.org/bs/46/true.html [09.01.04] Ungar, S. 2001. Moral Panic versus the risk society: the implications of the changing sites of social anxiety. In: British Journal of Sociology, Vol. No. 52, Issue No. 2, pp. 271-291 vanBömmel, H. 2003. Konsumentensouveränität - Neue Gestaltungsoptionen des Konsumenten in der postindustriellen Wirtschaft. Marburg: Metropolis Vance, A. 2003. Universal's CD price cut comedy gets five stars. In:
The Register: Biting the Hand that Feeds IT; van Eijk, K. 2001. Social Differentiation in Musical Taste Patterns. In: Social Forces, 2001, 79(3): 1163-1184 Veblen, T. 1953. The Theory of the Leisure Class. New York: Mentor Vivian, J. 1991. The Media of Mass Communication. Boston: Allyn & Beacon Vulner, J. 2000. Info-wahn: Eine Abrechnung mit dem Multimedienjahrzehnt. Wien: Springer-Verlag Warner, T. 2003. Pop Music - Technology and Creativity. Aldershot: Ashgate Warp, B. & Grimes, J. 1997. Counterhegemonic Discourses and the Internet. In: The Geographical Review 87 (1): 259-274, April 1997 Whiteley, M. (ed.). 2001. De-Traditionalisation and Art: Aesthetics, Authority, Authenticity. London: Middlesex UP Wicke, P. 1995. Popmusik - Konsumfetischismus oder Kulturelles Widerstandspotential?
- Gesellschaftliche Dimensionen eines Mythos Willis, P. (with Jones, S., Canaan, J., Hurd, G.). 1990. Common Culture - Symbolic Work at Play in the Everyday Cultures of the Young. Boulder: Westview Press Winter, R. & Mikos, L (ed.). 2001. Die Fabrikation des Populären - der John Fiske-Reader. Bielefeld: Transcript Woolgar, S. 2002. After Word? - On Some Dynamics of Duality Interrogation. In: Theory, Culture & Society, Vol. 19(5/6): 261-270 Wright, S. 1994. Culture in Anthropology and Organizational Studies. In: Wright, S. (ed.) 1997. Anthropology of Organizations. London: Routledge Wynne, P. (not dated). Northern Soul Music and Culture in Contemporary
Britain Through the Eyes of Clifford & Benjamin; URL: Zeijl, E. 2001. Young Adolescents' Leisure. Opladen: Leske + Budrich |
|